Category Archives: Uncategorized

IndieView with Kirk Millson, author of Serpents of Old

I was crossing the Chattahoochee River and missing southern Utah when I got the idea about a guy caught in a flash flood. Initially, I was thinking about the opportunity the event presented for the guy to fake his death and flee to a better life. As I was miserable at the time, I was probably projecting.

Kirk Millson – 30 June 2019 Continue reading

Reviewer IndieView with Iona Caldwell of The Antlered Crown

Reading as a pastime is not dying. No, I don’t believe that. The industry wouldn’t be flourishing if that was the case. I simply believe the way of reading is changing. 

Iona Caldwell – 29 April 2019 Continue reading

IndieView with John Forelli, author of Ayahuasca In The Age Of Donald Trump

There are a couple of types of people who will love this book: avid users of psychedelics, travelers, and conscientious Americans who are concerned about the place their country has become. 

John Forelli – 5 March 2019 Continue reading

IndieView with Judge Marylin E. Atkins, author of The Triumph of Rosemary

The takeaway from my story is that if you keep working and believing in yourself, challenges can be overcome and a happy, productive, peaceful life can be the result.

Judge Marylin E. Atkins – 30 October 2018 Continue reading

IndieView with Alexander Watson, author of River Queens

 

“Everyone wants to be invited.” Grandmother insisted in answer to my protests about inviting a kindergarten nemesis to my fifth birthday party. “Not everyone wants to come, but everyone wants to be invited.”

My responsibility is to invite everyone to participate in River Queens. My guest’s responsibility is to decide if the offer is right for them. Not everyone wants to read about two gay men bounding across the hinterlands in a fabulous vintage yacht.

Alexander  Watson – 18 October 2018 Continue reading

IndieView with Bronwyn Elsmore, author of Backwards Into the Future

That is the wonderful thing about reading fiction – it allows us to transcend boundaries and wear the shoes of a range of people we would not know any other way. Through reading we connect, human to human, in spite of apparent boundaries.

Bronwyn Elsmore – 26 August 2017

The Back Flap

You can’t go back, her friends say, but Mary has to do it. Going back to her old hometown is the only way she can silence a voice from the past. And find her childhood friend, Ana.

Kui is pushing her, Ana is holding back, and between the two women there’s much to be resolved.

The plum tree and the manuka have gone, but a lemon tree thrives. The mystery surrounding the last voyage of the Marakihau may never be solved; but if Ana returns, their friendship and some things from the past can be recovered. Can’t they?

About the book

What is the book about?

So much, along these lines and themes – growing up in a small town, social changes between then and now, friendship, cross-cultural understanding, cultural heritage, historical late 20th century, nostalgia.

“Everyone knows you can’t go back. Everyone except Mary, because she’s back in her old hometown. That’s because of two people from the past – one pushing her, the other proving hard to find. The mystery surrounding the boat with painted eyes may never be solved, but if Ana returns too, perhaps some things may be resolved.”

When did you start writing the book?

The book, as it is now, about 3 years ago. But the germ existed long before that. It began as an idea I wrote as a short story, but that form could not contain all it wanted to be. I came back to that seedling story about three years ago, unearthed it, nutured it, and helped it grow.

How long did it take you to write it?

Less than a year, I think. Once it started to form it developed and grew quite quickly.

Where did you get the idea from?

I grew up in a small town that is the inspiration for the town at the centre of the story. Though the storyline and plot of Backwards Into the Future are fiction, the background very much reflects how things were when I was growing up in similar circumstances.

Were there any parts of the book where you struggled?

No, not really. I found it a pleasure to write, though a little painful too in places. I laughed and cried as I typed.

What came easily?

Writing the parts inspired by fun memories of people and events.

Are your characters entirely fictitious or have you borrowed from real world people you know?

The main characters are fictitious. However, they could well be real as they so much reflect the sorts of people I knew as I grew up. Some of the minor characters do remind me very much of some living at the time, but they are long gone so will never know!

We all know how important it is for writers to read. Are there any particular authors that have influenced how you write and, if so, how have they influenced you?

I can not point to any that I would say influenced me to the extent that I have consciously tried to emulate them. But over so many years of reading a very wide variety of authors, I guess they have all influenced me to some extent – either positively or less so.

Do you have a target reader?

For this book, I expect it will be enjoyed most by readers who like fiction with the feel of a memoir; more mature people who like to look back and remember; younger people looking to understand what past decades were like, and perhaps the way in which their parents were raised. And, since it is set in New Zealand, all who grew up here, or are interested in this country. Having said that, I have had positive responses from readers who have quite different backgrounds. That is the wonderful thing about reading fiction – it allows us to transcend boundaries and wear the shoes of a range of people we would not know any other way. Through reading we connect, human to human, in spite of apparent boundaries.

About Writing

Do you have a writing process? If so can you please describe it?

Go into my dedicated office.

Try to avoid interruptions. That’s easier said than done, since my office is at home. The phone rings, email messages come in, the cat wants food, and there are other things to be done.

After years of putting in long hours and pushing myself, I’m now easing up a little and allowing myself more down time.

Do you outline? If so, do you do so extensively or just chapter headings and a couple of sentences?

I tend to have a different process for each work. Over my career I have written across many genres – shorter and longer fiction, non-fiction, plays. With some works I do a lot of research first – and there’s always some, no matter what I write, in order to get the facts right. Some books need more prior planning and plotting, as do plays, and others I allow to evolve with a lesser amount of pre-planning.

Do you edit as you go or wait until you’ve finished?

I do a lot of rewriting and polishing as I go. Even so, the first draft is simply that – a first draft. I am a compulsive rewriter.  I never reread anything I have written without altering it in some way. That makes it so difficult to reach a point where I say, enough, publish.

Do you listen to music while you write? If yes, what gets the fingers tapping?

Oh no, that’s something I avoid. I need to concentrate on the words. I find well-written prose has a rhythm of its own and music can interrupt it.

About Publishing

Did you submit your work to Agents?

I have an agent to handle my plays but not for my prose works.

What made you decide to go Indie, whether self-publishing or with an indie publisher? Was it a particular event or a gradual process?

My earlier books were all published through the traditional route, and some are still handled by them. I am not against working with publishers. But with new technology an author can bring out a book of comparable quality, in much less time, and keep control of their work.

Did you get your book cover professionally done or did you do it yourself?

This is where I say lucky, lucky me! My son is a professional in the area of digital design, so it’s a professional job and yet I get to have more say in it than with an outside publisher.

Do you have a marketing plan for the book or are you just winging it?

I thought I had a plan, but I find it changes as new opportunities come up.

Any advice that you would like to give to other newbies considering becoming Indie authors?

Don’t be in a hurry to publish. Be self-critical. Write, rewrite over and over. Polish, repolish.

About You

Where did you grow up?

In a small town of about 5000 people, North Island, New Zealand.

Where do you live now?

In Auckland, the largest city of New Zealand. Sometimes I think I should do as the main character of my novel Backwards Into the Future does, and return to small town living. But Auckland is a beautiful place. It’s called “the City of Sails” as it’s built around two great harbours.

What would you like readers to know about you?

I believe my readers are intelligent people who bring to their reading knowledge and wisdom they have accrued throughout their lives. I respect that and like to leave spaces where I expect them to add depth according to their life experience and imagination.

What are you working on now?

A collection of short stories and another novel.

End of Interview:

For more from Bronwyn, visit her website.

Get your copy of Backwards Into the Future from Amazon US or Amazon UK.

 

IndieView with Brian Peyton Joyner, author of The Wisdom of Stones

I need to throw some more conflict at him. I had a writing teacher who taught us, “Whenever things are easy for your character, put him on a thin branch at the top of the tree.” She paused for effect. “And then throw rocks at him.”

Brain Peyton Joyner – 22 August 2017 Continue reading

IndieView with Melinda Richarz Lyons, author of Heir to a Secret

I believe it is never too late to be productive and
do something you really love. Retirement has given me the opportunity to pursue my writing.

Melinda Richarz Lyons – 19 August 2017 Continue reading

IndieView with David L. Faucheux, author of Across Two Novembers

My target reader is anyone who is curious and wants to step into a different world, who wants to learn about books, who is intrigued by trivia, and who enjoys a good meal while listening to music.

David L. Faucheux – 17 August 2017

The Back Flap

Friends and family. Restaurants and recipes. Hobbies and history. TV programs the author loved when he could still see and music he enjoys. The schools and training centers he attended and the two degrees he attained. The career that eluded him and the physical problems that challenge him. And books, books, books: over 200 of them quoted from or reviewed. And even more: trivia bits, blog bits, and even Louisiana factoids. All In all, an astonishing work of erudition and remembrance.

About the book

What is the book about?

The book is basically a journal that covers one year in my life.  To expand further, it is a journal wrapped around a framework of books.  I take the reader into my world, one that many readers might not be aware of.

When did you start writing the book?

I started the book on November 16, 2013.

How long did it take you to write it?

I finished the rough draft on November 15, 2014, but the editing was not completed until spring of 2017.

Where did you get the idea from?

Part of my introduction explains this best.  “I have long wanted to write and publish something, be it an historic novel, a young adult novel, or nonfiction. When, in November 2013, Dr. Katherine Schneider asked me to read and review her just–published Occupying Aging, I conquered my usual reservations: Would I be a good reviewer? Would I be able to write something interesting and help her book sales? I dove in and managed to post a usable review at Goodreads.com. While reading her book and formulating my review, I thought, Oh! I just might be able to write something in this journal–type format. So I jumped in right then, not waiting to begin on the more traditional January 1. I thought that to wait was to postpone indefinitely and fail; to start could mean a chance at a successful resolution. Who says a journal has to run from January 1 to December 31 to be of interest?

Were there any parts of the book where you struggled?

I found writing hard work.  I become easily tired as a result of Fibromyalgia Syndrome. The accompanying brain fog made the editing process particularly difficult. I could only write a bit, then read over my work, and try to make it interesting, snappy, fresh. I’d write, then think, ‘No one could possibly care if I went eat out, read a book, took a Jeopardy audition online test via telephone, attended a convention of a blindness consumer group, or visited family and neighbors.’ I am not sure that studding my book with Did-You-Know trivia nuggets or incorporating bits from an audio blog that I kept was a great idea, but I wanted the book to have depth and to show that one can still have a rich existence, a life of the mind, even if one cannot physically climb mountains or tandem bicycle around the world.  (I’d like to do these things — in moderation — if I recover my energy and regularize my sleep pattern.)  Just getting the tone right was challenging.  Should I be amusing, a bit profane, didactic, or some mixture of all of these?

What came easily?

It was fun deciding what books to mention and what book reviews to include.

Are your characters entirely fictitious or have you borrowed from real world people you know?

The book is nonfiction, but the names of several characters were changed and some details adapted to preserve privacy.  The book is a glimpse into my world, but it’s not meant to be an open house.

We all know how important it is for writers to read. Are there any particular authors that have influenced how you write and, if so, how have they influenced you?

I enjoy many authors.  Nonfiction writers that I admire either for their style or their ability to explain a complex facet of the modern world would include Frederick Morton, A Nervous Splendor and Michael Lewis, Liar’s Poker.  Nonfiction that takes me into a world that I’d otherwise not get to experience fascinates me especially if the author reads the work and reads it well as Tony Danza did with his I’d Like to Apologize to Every Teacher I Ever Had.  Sweeping historic fiction of the kind written by Gary Jennings, James Clavell, and James Michener kept me spellbound during most of the 1980s and early 1990s.  I hope we see it’s return in the coming decades.

Do you have a target reader?

My target reader is anyone who is curious and wants to step into a different world, who wants to learn about books, who is intrigued by trivia, and who enjoys a good meal while listening to music.

About Writing

Do you have a writing process? If so can you please describe it?

I have tried to write fiction using several methods I read about.  I found this journal method, because of its granularity, to work best for me.

Do you outline? If so, do you do so extensively or just chapter headings and a couple of sentences?

No.

Do you edit as you go or wait until you’ve finished?

I try to edit as I go – cleaning up after myself — rather like I cook.  I can’t help but wonder if I am stifling what creativity I have.

Did you hire a professional editor?

Yes, and my book needed work.  My editor said my grasp of punctuation and grammar was rather good, but she had to check lots of formatting and facts to insure accuracy.

Do you listen to music while you write? If yes, what gets the fingers tapping?

Music would distract me.  I couldn’t listen to music as a kid in school while doing homework.  I’d be distracted and get into the groove too much.

About Publishing

Did you submit your work to Agents?

No

What made you decide to go Indie, whether self-publishing or with an indie publisher? Was it a particular event or a gradual process?

I felt no mainstream publisher would have the interest in my book or the patience to work with me.  I had heard horror stories of big houses letting writers figure out their own publicity methods and not offering them much in the way of support, even financial support.  I further heard that I’d lose control of my book for years and might not make any money.  It frightened me.

Did you get your book cover professionally done or did you do it yourself?

My editor’s husband assisted me with the cover.  It was a collaboration.

Do you have a marketing plan for the book or are you just winging it?

Yes, I have a marketing plan.  I have combed through the profiles of more than 600 Amazon reviewers and sent out 82 book review queries.  I am attempting to reach out to book blog tour companies as I have read about them in several eBooks that help one promote.  I have submitted my book to Booklife, part of Publishers Weekly, hoping for a review.  I have entered a writing contest for nonfiction authors.  I have sent print copies of my book to various journalists with whom I have had email contact for several years.  I have also had book cards printed to pass out.

Any advice that you would like to give to other newbies considering becoming Indie authors?

Do your research.  Learn what editors can and will do for you.  Learn what they charge per hour and if they help with the actual uploading of the finished book to vendors such as Amazon or SmashWords.  Talk to your local writers groups.  And just do it.  Have fun, but realize it’s a process that you learn as you go.

About You

Where did you grow up?

I grew up in South Louisiana and attended a residential school for the blind located in Baton Rouge.

Where do you live now?

Lafayette, Louisiana

What would you like readers to know about you?

I’d want them to know I am a curious person, ready for a change, and hoping for this book to act as a catalyst of that change.

What are you working on now?

I have been toying with the idea of writing the story of an ancestor of mine who came to Louisiana in 1779 from the Canary Islands.  She was not even a teen yet.  She matters because her genes carried the chromosomal dynamite that caused the blindness that appears in some of her descendants.

End of Interview:

Get your copy of Across Two Novembers from Amazon US or Amazon UK.

IndieView with Samuel W. Reed, author of The Fabulist

I don’t know that I had any idea what I was actually writing until I was 20 pages in. Or maybe two and a half years after I started. I was just writing. And parts of it were a mess. But there was this feeling of inspiration that my fingers literally could not keep up with.  

Samuel W. Reed – 8 August 2017 Continue reading