However, the idea started two or so days before the drive at my mom’s birthday party as my sister and I shared stories of our boarding school experiences, and my dad shared stories about being a teenager on the island we vacation at, and my mom commented that “Someone needs to write a book!”
A.M.H. Johnson – 20 September 2018
The Back Flap
Jenna Sheffield is an average girl from Savannah, Georgia. However, this year her life is about to change. She’s starting at a new, all-girls boarding school in the middle of high school. She’s having to learn how to deal with a roommate who seems more inclined to torture her than be friends. And on top of all that, she learns she has inherited her family’s ability to communicate with the dead, when the ghost of Christine Wedge starts to haunt her. All Christine wants is her body to be found, but this mystery is shrouded by 60 years of local legends and feuds. Can Jenna crack this cold-case, or will Christine drive her insane, or worse, kill her chances at getting into a good college?
About the book
What is the book about?
Midnight Over Moores follows Jenna Sheffield, a young girl from Savannah who goes to Maine for boarding school and finds out she can talk to the dead after a prank gone too far. She starts being haunted by a local ghost, Christine Wedge, a victim who disappeared 60 years before, and has become a local legend on Moores Island.
When did you start writing the book?
Officially, I started writing it in early June 2011, coming back from a family vacation up in Maine driving back to Georgia. However, the idea started two or so days before the drive at my mom’s birthday party as my sister and I shared stories of our boarding school experiences, and my dad shared stories about being a teenager on the island we vacation at, and my mom commented that “Someone needs to write a book!” I agreed then, but that 23 hour drive a few days later gave me enough time to hammer out the plot details and bounce ideas off my dad, and get the first two chapters written.
How long did it take you to write it?
Three years, but that was due to being in school at the time and not having a solid schedule and crazy homework. The summer I started writing it, I cranked half the book out in a month and a half once I returned to Maine later that Summer. Once I graduated, it took a me a few months to finish it.
Where did you get the idea from?
At my Mom’s birthday party, after the whole group had a couple drinks, my dad, my sister and I got to talking about our teenage experiences. My sister and I were talking about going to our boarding school and all the shenanigans we’d get into. My dad, who was surrounded by many of his childhood friends at this party talking about their shared high school summers and all the shenanigans they got into. And by the end of it, we were all laughing so hard we were crying, and my mom said, “Someone needs to write a book!”
Were there any parts of the book where you struggled?
There were many places I struggled, but one of them has a funny story with it. My writing had started to go through an evolution at the time, because I’d started taking Creative Writing classes at my university, and some of the chapters I’d previously written when reread were very very rough. At the time, I was dating the man who would later become my husband, another English/Writing major who had already published a few short stories. I asked him to look at my roughest chapter. When he returned it, he had circled every “smiled” and “nodded” I’d written in, and it was truly too much. I promptly went home and rewrote it, and sent him a message once I did. His response was a gif of Jack Nicholson nodding and smiling like a madman “In memory of my unedited chapter.”
What came easily?
Most of the scenes in Limbo (at least that’s what I call it. Purgatory and the Spirit World also works). The drama in those scenes are a lot more palpable, and most of them came out good the first time. And a good portion of the scenes with Jenna and Nate.
Are your characters entirely fictitious or have you borrowed from real world people you know?
They’re kind of both. Jenna isn’t anyone I know in particular, but some of her experiences are built off of experiences I’ve had and my family and friends have had, with a twist. Same with all of my characters, except maybe one or two side characters. Although, I did throw a character based off my high school self in. But I’ve even changed her from being 100% like me.
We all know how important it is for writers to read. Are there any particular authors that have influenced how you write and, if so, how have they influenced you?
J.K. Rowling and John Berendt are obvious influencers as they and their works are mentioned in the book. Rowling because Harry Potter was a big part of my teenage years as well as many of my friends, and everyone going to my boarding school noted striking similarities between our school and Hogwarts. We had four main dorms with the same colors as the houses (Yellow dorm and Green dorm were on the lowest level, Yellow closest to the kitchens. Red dorm and Blue dorm were upstairs, and even had loft dorm rooms, if you think I’m kidding). Even many of our teachers had direct parallels to the Hogwarts professors that many of the students agreed with (Yes, we had a Snape, and he was one of the best English teachers I ever took. We also had an annually changing faculty member, although I’m 98% certain a curse was not involved). The only big difference was Hogwarts was not All-Girls. So, to not even mildly reference it just wouldn’t give my high school experience justice.
Midnight in the Garden of Good and Evil was where I got the idea for my book’s title. Doing research on Savannah (I also didn’t live far from there at the time), I was told this book was required reading.
I’d also add Richelle Mead, Kelly Creagh, Edgar Allen Poe, and Stephen King (especially later in the series).
Do you have a target reader?
It’s a solid Young Adult novel, but it’s a book horror buffs and murder mystery readers will enjoy as well. It has modern Paranormal Romance written all over it, however its plot is steeped with Classical Gothic tropes and modern horror and mystery themes. It’s a mystery surrounded by ghosts, demons, magic, and young love.
About Writing
Do you have a writing process? If so can you please describe it?
Not really. I always have fun writing, so when I can, I do.
Do you outline? If so, do you do so extensively or just chapter headings and a couple of sentences?
I used to only do a skeletal outline, like 2-3 pages noting the whole plot and background. I still do that now, but I’ve added preformatting each chapter and adding a chapter summary, so I know what goes where when I’ve written excerpts, which saves me a lot of time now.
Do you edit as you go or wait until you’ve finished?
Primarily, I edit as I go. Then once it’s done, I do another final edit based on my own notes as well as my beta readers’ notes.
Did you hire a professional editor?
I do not, but this is because I have almost 5-years-experience in editing in some capacity. For a year (and even now) I proofread/line-edit for the company I work for, and the last four years I was moved up to Document Specialist, which added formatting/copyediting to my proofreading duties.
That also doesn’t mean I’m the only person with editing experience looking at my writing before publication. My husband, who took the same editing courses as I have for our degree, takes a look before it’s sent out. My mother, who also had a job proofing/line-editing documents for a company for almost ten years, takes a look as well. Not to mention several others who may not have professional/educated experience like my husband and mom, but who I trust to give me sound advice on readability.
However, I would suggest to most authors to get an editor.
Do you listen to music while you write? If yes, what gets the fingers tapping?
Absolutely. If I’m not listening to music while writing, the music is definitely blaring when I’m conceptualizing each scene, so when I write it down later I’ve seen the scene over and over and over again.
As for my tastes … they’re kind of all over the place. Usually some metal/modern rock is in there as well as classical (Beethoven is great!), pop, hip hop, early 2000’s/’90s soft rock, classic rock, and even 2000s emo/punk rock (which was my jam then, not going to lie), to even Disney and Broadway soundtracks. I think the important thing for a song to help me write a scene is the message/emotion of the song has to fit in a place in my writing. So, I listen to different types of songs for different scenes. For example, if I’m writing a bombastic fight scene, ‘O Fortuna’ or The Hunchback of Notre Dame’s ‘Sanctuary’ are both great. If the scene is more of a mellow internal struggle about love, I’m sifting through my early 2000’s soft rock ballads.
About Publishing
Did you submit your work to Agents?
Yes. I can’t even remember how many, but after the first several “We’re too busy at the moment,” rejections, I started really looking into self-publishing.
What made you decide to go Indie, whether self-publishing or with an indie publisher? Was it a particular event or a gradual process?
It was gradual, but I always had an idea I might go that way anyway. I’m a little too controlling of my book, and how it was supposed to look, cover design, everything. As far as waiting for an agent to pick it up, I’m just not a patient person. Starting out, I figured I could go ahead and self-publish, then be taken on by a major publisher, but I found that doesn’t usually happen. So unwittingly, I plunged head first into Indie communities, and the people there gave me invaluable information that led me to want to set up my own indie publisher, which is what Midnight Over Moores is now being published under.
Did you get your book cover professionally done or did you do it yourself?
Yes, for both the old cover when I first self-published and the new. But again, it was because I’m very controlling of how my book is to look. Each design detail I made had a specific reason behind it. I changed from the old cover, because I realized with it being a series the first cover I designed wouldn’t work for branding reasons. The second book’s cover in no way was going to look like the original cover, which is crucial with series works. So, I redesigned it with the rest of the series covers in mind.
Do you have a marketing plan for the book or are you just winging it?
The first time I published it, I just winged it, which after a month of selling 30 copies I realized was a big no no. I just unleashed it on the world, told my friends and family, some of who bought it and shared it. After a few months of putting those Amazon sales on it, and getting a few reviews, all of which were positive, but not seeing anything in return, I started asking myself, “What am I missing?” One of which was editorial reviews, which is obvious, but at the same time trying to find editorial reviewers that didn’t cost an arm and a leg was difficult. Amazon suggests Kirkus, which is too expensive for people paying out of pocket. Eventually I did find some that were budget friendly, and that my book applied for, but by then it was too late.
So, what am I doing different now? I’ve submitted it to a couple book awards, which so far it’s doing pretty well, but it’s still early. One of the big things is I’ve switched my main distributor to Ingram, which opens up a lot more doors. I’ve submitted for reviews and have already begun using those in my marketing. I’ve posted about my book on more than just Facebook, since I now have an author twitter, Instagram, Foodreads, Facebook, Linkedin … you name it, I’ve posted about my book’s re-release on there.
Any advice that you would like to give to other newbies considering becoming Indie authors?
Give yourself ample time and budget to market your book. I’ve learned over the last couple years marketing is an investment that more often than not pays in some way.
Another thing a successful indie author told me was to write and publish as much as you can. It builds your name, which builds your brand.
About You
Where did you grow up?
I’m from all over the East Coast. Born in Newburyport, Mass., mostly grew up in the foothills of the Appalachians in Virginia just outside of DC, and went to school in Pennsylvania in the middle of Amish country. But Acadia National Park in Maine is probably the most constant location in my life.
Where do you live now?
I live just outside of Atlanta, Ga. with my husband, daughter, and two dogs (both rescues).
End of Interview:
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Get your copy of Midnight Over Moores from Amazon US or Amazon UK.
